All About Our 2017 Gigaprize Winner: Magic Wheelchair

If you’re just tuning in, the winner of the Gigabot given away through our 2017 Gigaprize is an unbelievably deserving organization called Magic Wheelchair. We thought you might enjoy learning a little bit more about what they do and how they will be using Gigabot. We guarantee it’ll bring a smile to your face.

The Origin Story

Life for kids who are in wheelchairs often have a difficult life. Sometimes their local schools have failed to get an ada inspector in to make sure it’s accessible for them, they are often in and out of hospital, it can be hard for them to socialize are just some of the issues they encounter. But Magic Wheelchair is trying to make their lives a little bit better. Magic Wheelchair is a non-profit which “builds epic costumes for kiddos in wheelchairs — at no cost to families.” That’s a mission that resonated strongly with the public as well as our Gigaprize judging panel, ultimately crowning this Oregon-based organization the winner among a strong group of contenders.

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The idea was born out of a father’s love and creative energy. Ryan Weimer, the brainchild behind it all, conceived the idea after making a costume for his then three-year-old son, Keaton, who has Spinal Muscular Atrophy. The experience was life-changing and eye-opening for both Keaton and Ryan.

People seemed to look past his “disability;” they looked past his wheelchair and saw this cool kiddo cruising around in a pirate ship. Where normally other kids who didn’t know Keaton would stare from a distance, this costume created an immediate and intense level of inclusion. Kiddos swarmed him in his Pirate Ship Costume! That experience was amazing for all of us. As a dad, I looked with tears in my eyes as I finally was able to see people looking at my son like I do. I thought about other kiddos and families like mine that would, in my mind, love to have this same experience. That is the origin story of Magic Wheelchair.

Magic Wheelchair was born.

The Process

Magic Wheelchair works with a network of country-wide volunteers which form local teams of builders to make the magic happen.

“We have a Builder’s Manual which lays out the process, helps our volunteers put a build team together, and also helps them in getting their community involved by fundraising and reaching out for local community support,” Ryan explains. “This is a wonderful way to build awareness in a community about families and kiddos like mine.”

Their first year, the organization built eight costumes, tripling to 24 their second year, and topping out at 50 last year. Their volunteer-based process and Builder’s Manual allows them to have a wider reach than if they were to rely on just one centralized headquarters team. “These are built all over the country! Local builders building for local kiddos.”

They’ve also received some amazing support along the way, building a relationship with the Stan Winston School of Character Arts. “The co-founders Matt and Erich both serve on the board of Magic Wheelchair, and as part of this amazing connection all of our volunteers get access to the school,” Ryan says. “We have cream of the crop special effects artists helping our build teams! The school has completely changed how I take a build on.”

The Magic Wheelchair and re:3D Worlds Collide

Costume-building has always been a strong use case for 3D printing.

It’s often faster and cheaper than the alternatives, which could be anything from building and sculpting pieces by hand (time-intensive), or getting custom pieces made by a third party (costly). 3D printing also allows for quick and easy replication of parts- design one piece and you can just as easily print several for multiple costumes. We have quite a few Gigabot owners making custom costumes for Halloween, Comic-Cons, and cosplay events.

Through the collision of these two worlds and the power of social media, word of the Gigaprize found its way to Ryan.

“We had a volunteer who met us at the Salt Lake City Comic-Con send us a message through Facebook to apply,” Ryan recounts. “We saw the opportunity and knew we had to go for it!”

The value of this technology in their line of work is unbelievably exciting to Ryan and the Magic Wheelchair team.

This allows us to do so many things in-house: from building kits, to making builds easier, to being able to do really specific detailed pieces and duplicating them for future builds. It really adds to that epic quality that we can kick out. 3D printers are quickly becoming commonplace in fabrication and special effects, so it’s going to be incredible having such an amazing printer in our hands. We have already had some 3D artists reach out to help, and we have a solid connection with Pixologic and the Zbrush community. Sky’s really the limit here!

Future Plans: Shoot for the Stars

Magic Wheelchair’s impact and growth each year has been nothing short of impressive, and 2018 is panning out to be no different.

Though the first costume of each year is always a surprise, they can share the news that they’ll be returning to a favorite annual event: San Diego Comic-Con.

Last year they unveiled five Justice League-themed costumes on stage there with none other than Adam Savage. The segment is featured on Adam Savage’s Tested, Savage’s new project with old partner-in-crime Jamie Hyneman. If you’re having trouble placing their names, does Mythbusters ring a bell?

“This year we will be headed back to San Diego Comic-Con for a Star Wars-themed set of builds,” Ryan says. “We’re stoked!”

He’s especially thrilled that they’re collaborating with artists that currently work or have worked in the Star Wars franchise.

"I feel included."

Our goal with each Gigaprize we run is to get Gigabot into the hands of a deserving group who will put the machine to work doing good. Magic Wheelchair absolutely exemplifies this.

The work they do has ample room for a 3D printer to make a serious impact on their process, with the goal of allowing them to grow their reach by creating costumes faster and more affordably.

Magic Wheelchair’s impact is very real for the recipients of their work, which, as Ryan explains, transcends the category of “costumes.” “What we really are building are experiences,” Ryan explains. “Experiences that allow that barrier of ‘disability’ to essentially be swallowed up by these epic costumes.”

Ryan has been able to see that experience firsthand from day one when he built the very first costume for what would end up being Magic Wheelchair’s first recipient: his son Keaton.

“Keaton mentions this in every interview when he is asked what is his favorite thing about these costumes,” Ryan recounts. “Without skipping a beat he says, ‘I feel included.’ It’s such a beautiful thing.”

Magic Wheelchair relies on its network of hardworking and selfless volunteers. Consider volunteering your time for an experience that’s equally as rewarding for the people behind the costume as it is for the one wearing it. Learn more: https://www.magicwheelchair.org/volunteers

Morgan Hamel

Blog Post Author

Lessons from Two WeWork Creator Awards Wins

With two WeWork Creator Awards (and two wins!) under our belt, we thought you might enjoy some quotable nuggets of our journey from the Austin stage to New York City. We hope we can inspire another Creator out there to enter for yourself!

Photo by Moyo melements.me / @moyo3k ©2017

A Silver Lining in the Eye of a Hurricane

Everything started back in June of last year when we won the $180,000 Scale Award at the WeWork Regional Creator Awards in Austin.

That cash from WeWork allowed us, as Head of Engineering Matthew Fiedler likes to say, to shorten a year-long process down to six months – that of creating a pellet extruder prototype. R&D Intern Robert Oakley and Matthew have been hard at work on the design, which we got to show off at the Global Finals.

Photo by Moyo melements.me / @moyo3k ©2017

We also established a more permanent presence in Puerto Rico, spurred on by our participation in the Parallel18 accelerator program.

We never could have imagined that just months after starting that program, not one but two of our offices would be hit by catastrophic hurricanes – Harvey in Houston and Maria in Puerto Rico. Our offices were spared damage, but what the twin natural disasters did do is reinforce our belief in our mission of creating a system to take plastic trash, grind it up, and 3D print with it.

With Hurricane Maria and the subsequent loss of running water in Puerto Rico, there is no shortage of plastic water bottles on the island. An island community is exactly the kind of environment in which a system like this would do so much good. Rather than resorting to shipping plastic waste to the mainland, a machine that could 3D print with recycled plastic could do the double-duty of creating useful objects in an isolated area while simultaneously dealing with the plastic problem.

We’re excited about the possibility of creating a machine that could be so useful in such an environment, and we also feel privileged to be in Puerto Rico working with some of the most driven, motivated people.

“It is a really optimistic place right now,” Samantha remarked. “People are really inspired.” Many millennials, she’s noticed, have thrown themselves into the task of rebuilding in the aftermath of the hurricane, leveraging technology to create a new future. “They believe in their island, and I’d say the sense of nationalism is higher now.”

Winning the WeWork Creator Awards in Austin allowed us to start hiring in Puerto Rico, and the latest win will afford us to continue.

Photo by Parallel18

A Million Bucks

Winning the Scale Award in Austin was a big deal for us, so getting the word that we’d be one of eight finalists vying for $1 million at the Creator Awards Global Finals in New York City was huge.

You already know what that crazy week was like (and if you don’t…), so I’ll fast-forward to the main event.

J. Kevin White of Global Vision 2020 and Samantha are the last two left sitting in the room offstage where all the finalists were being held. Wearing noise-cancelling headphones, they’re unaware that everyone is being awarded money, and that both of them will be getting $1 million. Samantha recalls the thoughts running through her head in the moment.

When we saw everyone but us leave the room, we both looked at each other and were confused. We considered that perhaps the winner had been revealed and we were receiving a side award or other commitment of support from WeWork or a partner. We were in shock that there could be a chance we might be receiving 1st and 2nd place.

They’re brought on stage. Samantha’s face goes through a rapid-fire sequence of emotions.

When we were brought on stage everything around us seemed to slow down. Kevin has become a friend in this process and while I recall him standing there, everything else was a blur.
Samantha Snabes

The first thought Samantha says entered her head when she realized they’d both won was happiness that the whole team was there to experience the moment, whether in person in the audience or via livestream in Texas or Puerto Rico. This included longtime friend and mentor Seba, currently Parallel18‘s Executive Director, whom we met back in 2013 when he was the Executive Director of Startup Chile.

But, she adds, “I’ll be honest, a week later it hasn’t set in.”

"Winning itself was surreal. Every morning I wake up and have to remind myself that Wednesday night really happened.
Samantha Snabes

No Such Thing as Overnight Success

It’s been a long road to this moment.

re:3D was born in 2013, and five years later nearly to the day, this 2018 win has been our biggest cash influx since our inception. Patience and perseverance have been the name of the game. To finally have in our hands the means to push full-speed toward our mission of 3D printing with trash, it can seem unreal.

Things could be so hard and lonely at times that it seems really unbelievable that we now have such a perfect partner (WeWork). I’m worried that at any moment it will set in and I’m going to break down in hysterics, because several times a day I’m overloaded with gratitude. Kevin and I spoke on the phone last night, and his experience has been very similar. I’m so thankful that we can share this experience together.

The WeWork win isn’t big for us only because of the size of the prize, it’s the type of partner we see in them – an organization with a similar mindset and vision to our own.

Although the win may not have completely sunk in for Samantha, she’s caught herself pausing multiple times a day to reflect on the newfound peace she’s felt lately. “Knowing that we have the resources to scale & care for our team & community,” she explains, “but more importantly, that we have a partner we respect and who supports our open-source, social-focused vision.”

The big Creator Awards win means a lot of different things to our team.

It means the resources to work on a major R&D project, the ability to grow our time, time to focus on telling the stories of our customers, health insurance for the team.  re:3D’s Head of Engineering, Matthew, added that the win provided “validation that there are other people who share our vision.”

And we’ve only just begun.

The thing I love the most is knowing that the journey is just getting started.
Samantha Snabes

“Not only are we excited to grow with WeWork, but also the other Creator Awards winners and future Creators we will get to know in 2018” says Samantha.

And as for those future Creators out there, some wisdom from someone who’s gone through it all?

“APPLY!”

“The experience is so much more than the awards or winning,” Samantha adds. “You, your team, and your community have everything to gain by submitting your application!”

There’s nothing to lose.

Photo by WeWork

Morgan Hamel

Blog Post Author

Pitching for a Circular Economy: What We’d Do With a Million Dollars From WeWork

It’s Wednesday January 17th, 2018, and we’re in New York City.

Tonight we’ll be on stage at arguably the most well-known arena in the world, Madison Square Garden.

Seven incredible companies are by our side. One million dollars is on the line.

These are the WeWork Creator Awards Global Finals.

What are the WeWork Creator Awards Global Finals?

If you don’t already recognize the WeWork name, it’s time to get aquainted.

WeWork is, as their website says, a global network of workspaces where companies and people grow together. But it’s more than just office space. They’re the self-proclaimed platform for creators, and they’re putting their money where their mouth on this statement with the Creator Awards.

The Awards were “designed to find those world-changing ideas, put them in the spotlight, and give them the resources to go further.” In their words, they’re rewarding entrepreneurs, artists, startups, and nonprofits who are thinking in new ways and creating real change, supporting innovative projects and the people behind them. They’re putting millions of dollars into allowing people to fulfill their own personal versions of the WeWork mantra: “Create Your Life’s Work.”

Over the past year, WeWork has been holding Creator Awards around the world – from Austin (that’s us!) to Tel Aviv. Thousands of applicants, hundreds of regional finalists, and millions of prize dollars later, it comes down to tonight: the Global Finals.

The Finalists

We’re in the company of people and organizations doing absolutely incredible work. The lineup is staggeringly inspiring.

There’s Becca Keaty, 20-year retired veteran of the Army National Guard representing Bunker Labs, a national non-profit empowering veterans and active duty service members with tools to start and grow their own businesses.

Elizabeth Lindsey from Byte Back, a Washington, D.C.-based non-profit improving economic opportunity for underserved metro area residents through computer training and career prep.

Manal Kahi and Wissam Kahi are the Lebanese sister-brother duo of Eat Offbeat, a company delivering home-style ethnic meals conceived and prepared by refugees resettled in NYC.

The CEO of Andiamo, Naveed Parvez, whose company in London is using data, biomechanics, and 3D printing to create affordable, custom, and fast medical braces and other devices.

Tel Aviv’s Or Retzkin, the CEO of EyeControl, creators of the first communication device that enables locked-in individuals like ALS patients to communicate using only eye movements, without the need for a screen.

Sebastian Jünemann of Berlin-based CADUS, a nonprofit humanitarian relief organization that has developed and implemented affordable mobile hospitals on the frontlines of crisis in Syria and Iraq.

And then there’s one wildcard, a mystery eighth finalist who will be chosen by popular vote from a group of six semifinalists.

Like we said, it’s quite the group.

One Million Dollars

One million dollars. That’s the grand prize the eight of us are competing for. Each organization has unbelievably compelling reasons for how they’d use the money – we can’t say we don’t feel for the judges.

We know you’re curious – what’s ours? We figured you’d ask.

There’s a few different things we’d do with the money, with the main being the development and release of a system to 3D print from plastic waste. Thanks to the Scale Award we won at the WeWork Austin Creator Awards, we’ve been able to prototype a pellet extruder to 3D print using plastic pellets, including pellets made from recycled plastic. Here’s a video about our progress on that project and what’s still to come.

But our ultimate goal is bigger than this.

In order to fulfill the dream of able to shred volumes of plastic trash that would be dried and fed automatically into a printer, there are some resources we need. Winning the $1 million would provide us the financial resources to not only refine our pellet printer prototype to accept ground-up plastic water bottles, but also to allow us to engineer a grinder, dryer, and feeder system to allow people to truly manufacture from waste onsite.

It’s been our mission from the start to create a standalone system that could serve as an on-site factory, allowing a user to 3D print directly from waste. No matter what happens tonight, WeWork has helped take us one big step closer to that dream. We’re so thankful for this experience, the incredible people we’ve met, and the lessons we’ve learned along the way.

Best of luck to all the finalists tonight, and thank you WeWork for the adventure!

Morgan Hamel

Blog Post Author

WeWork Creator Awards – Hollywood Reporter Article

We’re now inside the one week countdown to WeWork Creator Awards Global Finals and we still feel like we’re dreaming!

We are beyond honored and excited to be one of eight finalists from around the globe competing at Madison Square Garden for a shot at a million dollars. We’re in the company of organizations doing absolutely amazing things, and we couldn’t be more grateful for that.

If you will happen to be in the NYC area next Wednesday you can come join the excitement! It not only includes pitches by eight inspiring companies, but also a performance by Macklemore (and free food and drinks and all that good stuff).

We’re as busy as ever getting ready, but in the meantime here’s some more news about the night that just came out – it’s going to be even more star-studded than we realized!

The following is a repost of an article from the Hollywood Report. Original article can be seen here.

The event in which eight entrepreneurs from around the world will be competing for a $1 million grand prize, will also feature performances from Macklemore and Soren Bryce.

Jane the Virgin actor Justin Baldoni is set to co-host the inaugural WeWork Creator Awards Global Finals, The Hollywood Reporter can reveal exclusively.

At the event, set for Wednesday Jan. 17 at the Theater at Madison Square Garden in New York, eight entrepreneurs from around the world will be competing for a $1 million grand prize.

Baldoni will be co-hosting alongside former supermodel Adi Neumann, with Macklemore and Soren Bryce set to perform.

In addition to his role on Jane the Virgin, Baldoni is the co-founder of Wayfarer Entertainment and creator and executive producer of the talk show Man Enough.

“I’m so excited to be co-hosting the first WeWork Creator Awards Global Finals. At Wayfarer Entertainment, we are focused on disruptive inspiration, so I’m especially honored to support other entrepreneurs who are sparking change and trying to make a difference in the world,” Baldoni said. “I know firsthand that when you’re starting something from scratch, it can be really lonely, and the environment that WeWork fosters breeds creativity and community, which are two essential pieces to make this world a better place.”

The Creator Awards Global Finals will be judged by WeWork co-founder Adam Neumann, entrepreneur Tim Ferriss, Miracle Mop inventor Joy Mangano, Microsoft GM of business development Tamara Steffens and Carol’s Daughter president and founder Lisa Price.

The global finalists competing are the following seven entrepreneurs: Naveed R. Parvez (Andiamo), Becca Keaty (Bunker Labs), Elizabeth Lindsey (Byte Back), Sebastian Junemann (Cadus), Manal Kahi (Eat Offbeat), Or Retzkin (EyeControl) and Samantha Snabes (re:3D). Six semi-finalists will compete for the “audience save” final spot on stage: Robert Logue (Quaker City Coffee), Grace Hsia (Warmilu), J. Kevin White (Global Vision 20/20), Sam Teicher (Coral Vita), Mursal Hedayat (Chatterbox) and Sangita Patel and LeVar Burton (LeVar Burton Kids).

The Creator Awards Global Finals is the latest step in WeWork’s initiative to commit funding and brand visibility to entrepreneurs and innovators across all industries and stages of growth. WeWork has hosted seven regional Creator Awards in D.C., Detroit, Austin, London, Berlin, Tel Aviv and New York.

Morgan Hamel

Blog Post Author

A Huge New Office for Huge 3D Printers

As you may be aware of by now, the re:3D Houston HQ moved last year, upgrading from a humble 2,700 square feet to a much-needed 7,000. We did a post on the new space’s specs when we were first moving in, but we thought you would appreciate a check-in now that we’re about half a year in to our new home.

If you haven’t already seen it, we did a short video on the new office and what it means to our team. Give it a watch for a visual tour of the space and some of our Houston team sharing their excitement about the newfound elbow room.

The extra 4,000+ square feet are an absolute joy to our Houston team. With the extra space has come new machinery (namely the beastly Hurco CNC seen over Steve’s shoulder in the machining room), large expanses of shelving perfect for storing more Gigabot prebuilds, and dedicated space for different departments so everyone has room to spread out.

But as much as our team can’t believe how we made it work for so long in our previous, sometimes-too-cozy office, we’re grateful for that space and the lessons it taught us.

As Matthew explained, a small space can do wonders for instilling efficiency in an organization. We became a well-oiled machine and a stronger team thanks to our time there, and those lessons will follow us to any future space we find ourselves in. Not to mention we are so appreciative of everything the new space affords us.

The extra shelving allows us get more prebuilds made and ready to go, which, Tammie explains, allows us to get Gigabots out the door faster. She reckons everything’s going out smoother because of that.

Our dedicated R&D space means engineering projects move quicker and new products can hit our store faster. (A couple exciting ones are just on the horizon – stay tuned.) The on-site machining room (and huge new CNC mill) factors into this as well. R&D projects can move forward faster when the necessary parts are milled in the room just next door, and turnaround time on new iterations can be measured in minutes instead of days or weeks.

And at the front of it all, a space to showcase what’s most important to us: the different ways in which others are using Gigabot.

The showroom, as we’re calling it, will be the home to a variety of projects enabled by Gigabot, generously provided to us by Gigabot owners from around the world. Our intent is to open the space to the public so people can see what large scale 3D printing allows different organizations to do, and also to educate. We are working on building a dedicated teaching & training space into one section of the showroom, specifically for the public and for customers.

We’re incredibly thankful to be where we are today, and we will always remember where we came from and will be forever grateful for the lessons we learned there. We hope to see some of you at the new space!

Morgan Hamel

Blog Post Author

Gigaprize 2017

The 2017 Gigaprize is open!

Read on to learn what the competition is all about and how you enter.

Our favorite part about the work we do at re:3D is the doors it opens for others. A 3D printer can help organizations design better products, cut costs, allowthem to manufacture their goods more efficiently, reduce their time to market. It can spell the difference, as a business, between being able to make a product and not.

As a 3D printer manufacturer, our goal is to make this technology available to as many people as possible so that its enabling potential can be used for good around the globe.

Part of the way we do this is by dedicating ourselves to our mission of creating large-scale 3D printers at an affordable price – we’re always looking for ways to up our quality while keeping costs low for our customers. The other way we do this is through the Gigaprize.

The Gigaprize is a giveaway competition we run: for every 100 Gigabots we sell, we give one away to an organization that will be using it for good.

This is our way of supporting others with social good missions who may not otherwise have the means to do what Gigabot will enable.

The competition is simple: make a video explaining how you or your organization would use Gigabot. What would the technology enable you to do? What would it mean for your company and its mission? What impact would it have on your community? Don’t worry about production quality – you can shoot the video on a cell phone – we’re interested in what you’re saying, not how you look while you’re doing it.

Submit the video through the Facebook contest submission page by December 25th and stay tuned for when we announce the winner, as chosen by a panel of judges, on New Year’s Eve.

Past winners of the Gigaprize include the Tunapanda Institute in Nairobi, Kenya and Good Works Studio in Houston, Texas. Tunapanda is a non-profit that runs a Nairobi-based school training young people in technology, design, and business skills, with a focus on applying disruptive technologies like 3D printing and wireless networking to solving local problems. Good Works Studio is a two-man design firm creating products to better the lives of families living in refugee camps.

Morgan Hamel

Blog Post Author

When 3D Printing and Nature Collide

The often strained relationship between humans and nature is no more evident anywhere else than in large cities. Trees and fields have been replaced with skyscrapers and roads, and often the little greenery that does exist is confined to highway medians or parks flanked by concrete jungles.

As the world population climbs steadily towards eight billion, our partnership with nature will become increasingly more strained – and more important. Strides have been made in recent years to better incorporate nature into urban life – the New York City High Line or vertical forest skyscrapers, for example.

This intermeshing of nature and technology/design is what excites Yarden Mor and inspired Symbio.

A graduate of a special joint program of computer science at the Hebrew University and industrial design at the Bezalel Academy in Jerusalem, Symbio is her graduation project.

Her goal is to encourage symbiosis between humans and nature through technology. Symbio is a method to connect to existing natural foundations – like trees and rocks – and enable sustainable living preservation while maintaining the comfort we are accustomed to in modern life.

Yarden demonstrated the idea using a fallen portion of tree. Using 3D scanning to create a CAD model of the branch, she can create a design that fits perfectly to its shape. Parametric design simulates forces and optimizes the model’s weight and strength, and the complex digital outcome is birthed into the physical world thanks to 3D printing. Autodesk Tel-Aviv helped Yarden print her prototype on their Gigabot.

In the process of creating her prototype, Yarden researched technologies & materials, development of a system, and created prototypes of applications in urban design. This project is a proof of concept for larger-scale designs involving the same technology.

See more of Yarden’s work on her Instagram @yarden.mor.

Morgan Hamel

Blog Post Author

Grand Opening of the NYU Tandon School of Engineering Veterans Future Lab

On Monday of this week I had the privilege of attending the Grand Opening of the NYU Tandon School of Engineering Veterans Future Lab in Brooklyn, New York.

A very special lineup of speakers graced the event, including New York State Lieutenant Governor Kathy Hochul, Dean of Engineering at NYU Katepalli Sreenivasan, New York State Assemblyman Joseph Lentol, Barclays Group Chief Executive Officer Jes Staley, and one of the the engineering school’s namesakes, business-leader and humanitarian Chandrika Tandon.

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Housed in Industry City on Brooklyn’s “Innovation Coastline,” the lab will be an early-stage startup incubator for United States military veterans.

More than a third of all returning military veterans have entrepreneurial ambitions, speakers at the event remarked, but just under 5% launch their own businesses, according to the Bureau of Labor Statistics. With some 18 million veterans in the country, that’s a lot of unrealized business ideas.

Lieutenant Governor Kathy Hochul told a story about a moment that left a profound impression on her on a visit she made to an American military base in Afghanistan. Sitting around a table with a group of soldiers, she asked them about their greatest fears. And in that tent in the barren, almost lunarscape-esque terrain of Afghanistan, in the heart of Taliban territory, the soldiers’ response stunned her. They were worried about finding a job when they returned home.

The Veterans Future Lab addresses exactly this fear.

The goal of the program is to provide business support and mentorship to a group of people who have given so much to serve their country, to enable them to be successful in this next mission in their lives.

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With their first round of 15 companies starting in January, the program will offer participants 12 months of incubation, mentorship with New York City industry professionals and NYU faculty, and free legal services, among many more benefits.

One of the other perks of the program is the makerspace.

The businesses will have access to a bona fide buffet of prototyping equipment, from laser jets to water jets, injection machines to sewing machines, and – you guessed it – a Gigabot (among a list of other 3D printers).

As a veteran-owned company ourselves, we couldn’t be more excited to have a Gigabot available to the participants.

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Split between the NYU Tandon School of Engineering Makerspace in Downtown Brooklyn and the Veterans Future Lab offices in Industry City, any physical design and prototyping needs the entrepreneurs may have are covered from all angles.

A big deal for not only veterans but also the city and state of New York as a whole, the lab was made possible with the support of Barclays and the Empire State Development Corporation.

As Lieutenant Governor Hochul put it, “This is a very good day in the state of New York.”

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Morgan Hamel

Blog Post Author

Q&A with CEO of Risu

First off, can you tell us about yourself and your company, Risu?

Hi! My name is Maria Clara Nascimento and I am the Co-Founder and CEO of Risu, a company developing technology that combines artificial intelligence, robotics, and 3D printing to revolutionize the dental restoration industry. Risu will be the first 3D printer that makes dental prosthesis with a realistic look and feel, as well as strength and durability. I have also co-founded a humanitarian NGO that provides dental services, food supplies, and free medical assistance to remote indigenous villages in Venezuela and the Amazon region. I define myself as an incurable fan of road trips in any language, and enjoy a 100% real smile, turbulence on planes, sleeping on chairs, and sitting at tables. I received my BA in Social Communications from the Universidad Arturo Michelena.

What program are you in that connected you to re:3D?

The Young Leaders of the Americas Initiative (YLAI) Professional Fellows Program is a U.S. Department of State initiative funded by the Bureau of Educational and Cultural Affairs, implemented by the Meridian International Center, and applied in Austin by the International Office of the University of Texas. I will be working together with re:3D to gain essential skills through mentorship in business, organization, and social entrepreneurship in a four-week fellowship. Upon completion of the program, I’ll return to Venezuela to apply these new skills towards creating a significant impact in my country.

Why were you matched with re:3D?

Like finches in the Galapagos, we all continue to evolve, and what better way to do that learning from the very best. re:3D has a very successful business which I will learn to build during my time spent with them, together with the leadership skills and scalability of the company. But most important, Risu was created to improve the quality of life of the indigenous people in the Amazon region, and re:3D is a business focused on creating a transformative change with the technology they have developed for those who need it the most. Other than the technological aspects of the Risu Smart 3D project and its connections to re:3D, we were matched due to the social impact we want to achieve through our work. I will absorb all the knowledge, energy, and passion that this amazing team has shown me so far, and channel it towards making a positive difference in the indigenous communities.

What will you be doing for re:3D and what do you hope to learn?

I will be working on selected projects together with re:3D, where I will use the experience I have and couple it with the new skills the team will be teaching me. I want to understand the deeper layers of what makes this team a successful one, how have they managed to rise above all the challenges that early startups face daily, and the skills required to be a leader. In the technological aspects of re:3D, I hope to learn about the thought process behind the building of Gigabot, how to scale the business accordingly with the growth of the company, and how to sell an idea to investors that may be interested in financing the project. I would also love to learn how to navigate through the difficulties of being a young entrepreneur and a woman in a world and country where a leader with those qualities is hardly accepted or recognized.

What is your favorite 3D printing project that you’ve done or seen done in the past?

I have so many! But the one I liked the most was a 3D-printed pizza, made by NASA for astronauts that will be sent to Mars. It’s still in development, but the results so far have been great (and hopefully delicious – I haven’t tasted it yet). The reason I like this project so much is that it goes on to show that 3D printing is the future of humanity, where everything we need will be manufactured in our own homes. Other projects that I have adored are the ones related to medicine and prosthesis.

HP is also developing a 3D-printing technology that will shape the future, the Jet Fusion 3D Printer. They claim it can create a multi-color product and change the material’s properties. It’s a very unique printer, although it is still in development, and I like the very challenging aspects of the project and how it can disrupt the entire 3D printing world.

What is your filament of choice?

The PEEK filament. It is biocompatible and has high-quality mechanical, physical, optical, and thermic properties. It is one of the top filaments with great tensile strength, and it’s currently used for cranioplasty implants, dental case models, and hip and leg prosthesis, among other uses. Thanks to this filament, the lives of thousands have changed for the better, improving their quality of life and enabling them to reinsert themselves into society.

What would you print with super large-format Gigabot+10,000? (10m cubed–it’s bigger than a football field)?

The question is “what wouldn’t I print.” If I had a large-format Gigabot like the one described, it would never catch a break. It would be printing stuff forever. The first order of business would be creating a spaceship. The second, a ginormous robot. The third, a lot of smaller 3D printers that will also be printing smaller objects at the same time the big Gigabot is printing large-scale things. The filament I would utilize for the spaceship is one that probably doesn’t exist yet, as it would have to withstand the heat of the Sun. The moon is so last century, the Sun is a real challenge. Forget about the moonshot, I’ll make a sunshot.

It’s the Great Big Gigabot Giveaway Time Machine Edition–if you could give the 1,000th Gigabot to anyone in any epoch, who would you give it to and why?

Leonardo da Vinci. He was a creative genius, a strategic visionary, and a person who would do anything it took to create the machines he had imagined. I am sure the world would never be the same if he had a Gigabot in his hands, and it definitely would be a world where I would like to live in. The possibilities are endless.

Morgan Hamel

Blog Post Author

The Fire Station Gigabot

Chuck Grant wasn’t with the Magnolia Fire Department in 2011 when the Riley Road Fire happened,  but the effects of the massive blaze on the department he now works for as Assistant Fire Chief and Chief of Technology are still visible.

The fire took 10 days to contain and burned nearly 19,000 acres in Magnolia, Texas, northeast of Houston.

“The fire was in such a size that it knocked out cell service in a lot of areas,” Chuck recalls. This meant that the department’s typical public alert methods using Facebook, Twitter, and other cellular-dependent mediums were off the table. They had no easy way to communicate with the community they were trying to help.

What the firefighters found is that when residents didn’t know where to go or what to do, they came directly to the fire station to try to get information. But in a large-scale disaster like this one, that was a problem. “There was no one in the fire stations because they were all dealing with the emergency,” Chuck explains. The fire exposed a serious communication problem they realized they needed to remedy.

When Chuck joined the team, he began working with the Fire Chief to devise a solution to this problem.

What they came up with was something akin to a tool that many businesses use for public messaging: LED signs. The signs would be out front of each of Magnolia’s nine fire stations to display updates and actions during large emergency events, with the ability to change the information quickly and from the field.

The next order of business was aesthetic – they wanted to add a symbol of the fire service to the signs to make them their own, something that would look good for the community.

When they settled on the idea of a large fire hydrant statue on either side of each station’s sign – two at each location meant 18 in total – the next challenge became how to get them made. They started investigating options like fiberglass and bronze casting, but quickly realized that everything was far out of their budget.

That’s when they found Gigabot.

The sign project in conjunction with other potential uses for 3D printing at the station made getting their own Gigabot and fabricating the decorative hydrants themselves the most cost-effective option. Chuck already had a background in 3D modeling, so designing the hydrants was no problem. “It was just a matter of scaling something up from, say, an inch tall to 99 inches,” he said. “And the Gigabot was able to do that for us.”

The build volume of Gigabot was the original draw for their sign project, but in order to make the purchase financially worthwhile to them, they wanted the bot to have a second, longer-term use. This is where the RFID tags enter the story.

Fire stations operate under a system of strict regulations: a truck must have a certain amount of equipment before it can respond to emergencies, and this equipment has a variety of imposed lifetimes that need to be tracked. Chuck explains, “When I started 35 years ago in the fire service, no ax had an expiration date on it – either it worked or it didn’t. And now that’s all kind of changed. So the need for technology has really, really ramped up.”

On top of this, equipment must cycle in and out of the repair room as it’s damaged. A tiny crack to a mask takes that mask out of service until it’s fixed. Keeping track of what equipment is damaged, what needs to be replaced on trucks, where damaged equipment is in the repair process – they’re all more processes that need to be tracked.

All of these components add up to quite the logistical headache for fire stations: monitor the ticking clocks on your equipment to make sure active tools are not outside their expiration dates and take things out of circulation when they are, keep track of damaged items in for repair, and ensure your trucks have all the equipment they need to be ready to respond to a call at a moment’s notice.

It’s quite the operational feat for organizations whose main function is to save lives and battle fires.

In the interest of allowing firefighters to do what they do best, stations are looking for ways to manage all their equipment tracking in the most efficient way possible. Magnolia Fire found a solution in RFID tags from Silent Partner Technologies. The small radio frequency identification devices have an adhesive on one side to affix them to objects and they can be scanned from a distance and tracked via software on a computer. Chuck explains, “It very quickly gives the firefighters the chance to scan the truck and know that the vehicle is ready for them to respond to a call the minute they come into work.”

The problem was, Magnolia quickly realized that the harsh firefighting environment in conjunction with the wide variety of materials they had to tag was proving to be too much for the adhesive tags. “Because the fire service is a tough place to be a little tag, the adhesive strips on the back don’t hold up as well as they would in another application,” he explained. Heat from fires, water from hoses, and the general physical battery that the firefighting tools endure took their toll, and the department found themselves returning from events sans many of their RFID tags.

A solution, they realized, lay in 3D printing.

Using Gigabot, Chuck has been printing small compartments for the RFID tags to fit into which they can then mechanically fasten to their tools. 3D printing the tag holders provides a uniform material to which the adhesive can adhere, while also tucking the tags away where they can’t get bumped off. And they can do this all without altering the form and function of their well-designed equipment.

“All of our items have been well-designed, they’re well-engineered, and so for us to just take something and stick it on the side of it isn’t really a great option,” Chuck explains. What they’re doing is replicating a certain component of an object and building a pocket into it where they can hide a tag. The clip of a flashlight, for example, is replaced with its 3D printed clone, plus one RFID tag that you wouldn’t know is there. This becomes infinitely important when when you’re in a smokey room with thick gloves on, where a foreign part on a familiar tool can lead to dangerous confusion.

If the sign project was what led Magnolia Fire Department to Gigabot in the first place, creating custom RFID tag holders for their equipment is what kept them coming back. It’s proven to be the long-term justification they wanted in order to get their own 3D printer on-site.

“We certainly had this sign project that’s important…it’s going to be the thing that people notice the most because it’s going to be out in front of the building,” Chuck says. “But long-term, to get the most out of our investment, we need that secondary…task for the Gigabot to do.” The ongoing RFID project checks that box.

Gigabot has also proven itself as a problem-solver for issues that weren’t necessarily originally on Magnolia’s 3D printing radar, as the department now has the ability to produce any sort of custom-made pieces they desire. “Instead of going into the marketplace and kind of having to mold to what is available, we can meet our own needs by drawing our own parts and printing them,” Chuck explains.

An example of one such piece is an ingenious yet simple part to hang the firefighters’ masks inside the trucks, keeping them off the seats and floor where they’re more likely to get damaged, and hanging them in a way that doesn’t put stress on the facepieces. The clever design fits into the masks where the firefighters’ air tanks connect; with one twist they lock onto the piece so they can’t fly off en route.

The station’s service room is lined with equipment in for repair, including a table full of dinged masks. Much of the damage was due to them being tossed around inside trucks or hung in a way that puts undue stress on the temples of the masks, causing them to crack over time. This new piece, they explain, solves these problems and was infinitely simple for them to manufacture.

Clessie Hazelwood, Battalion Chief at Magnolia Fire Department, originally saw the design 20 years ago at a different fire department. Chuck prodded him to talk about how much effort that department had to go through to produce one. Clessie sighed, “Oh…they had to do machining, set up dies and everything.” It was a long, costly process.

When Magnolia got their Gigabot, Clessie came to Chuck to see if the part was something he could print for them. Chuck chimed back in, “From the time you told me about it ’til the time you held it in your hand, how long did it take?” Clessie paused.

“Less than a week.”

Morgan Hamel

Blog Post Author